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Robert Catto, Photographer

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  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    099 NF10AM 5240-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    084 NF10AM 5225-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    079 NF10AM 5220-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    116 NF10AM 5257-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    104 NF10AM 5245-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    101 NF10AM 5242-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    098 NF10AM 5239-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    018 NF10AM 5159-2 nn ftl.JPG
  • Line Describing a Cone (1973) by artist Anthony McCall is famous in the history of avant-garde film for its reduction of the cinematic experience to its core ingredients: projected light in physical space. For 30 minutes a beam of light from a 16mm film projector draws a perfect circle on a distant screen. In the space between, a solid cone takes shape as light particles cling to a haze filled room. Transforming the viewer's usual passive relation to the film medium, this work invites an active engagement with the cinematic experience.
    059 NF10AM 5200-2 nn ftl.JPG