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Robert Catto, Photographer

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  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012363 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012356 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012354 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012351 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012348 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012347 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012340 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012328 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012332 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012316 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012313 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012310 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012360 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012355 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012334 ps.jpg
  • The New Zealand Walkway track at Makara Beach in Wellington leads to a historic WWII gun emplacement, looking out over Cook Strait towards the South Island...The high cliffs and spectacular views that are features of Makara have for centuries provided the people of the area with good vantage points for the defence of their land. Makara Walkway is a 6 km loop, climbing to vantage points with spectacular views, and returning along the beach...A Ngati Ira pa site lies on the promontory at the western end of Fisherman's Bay, and gun emplacements at the top of the cliffs mark the position of Fort Opau, which was garrisoned by 100 soldiers during World War II.
    R0012320 ps.jpg
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5657 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5770 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5766 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5753 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5727 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5710 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5699 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5695 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5688 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5665 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5663 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5655 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5592 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5590 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5587 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5583 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5581 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5572 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5568 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5563 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5559 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5556 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5553 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5530 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5527 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5524 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5521 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5517 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5516 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5512 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5508 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5507 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5502 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5500 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5495 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5487 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5476 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5459 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5457 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5452 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5444 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5440 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5434 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5427 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5424 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5417 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5751 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5735 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5731 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5715 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5686 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5681 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5676 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5589 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5566 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5550 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5534 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5526 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5518 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5514 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5510 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5509 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5488 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5473 nn ftl.JPG
  • Phil Dadson installs a new kinetic sculpture work, Akau Tangi, in Evans Bay, Wellington.  The total Walkway has five major artworks, each of which responds to Wellington's notorious wind in a unique manner. The five are Pacific Grass, Konstantine Dimopoulos (2001); Zephyrometer, Phil Price (2003); Tower of Light, Andrew Drummond (2005); Wellington Urban Forest, Leon van den Eijkle and Allan Brown; and now Akau Tangi, The Sighing Sound of the Wind by Phil Dadson (2010).
    RC10PD 5414 nn ftl.JPG
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    841 GW9FW 0115 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    830 GW9FW 0085 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    828 GW9FW 0078 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    441 GW9FW 1401 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    846 GW9FW 0129 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    842 GW9FW 0116 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    837 GW9FW 0107 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    836 GW9FW 0105 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    835 GW9FW 0100 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    833 GW9FW 0097 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    831 GW9FW 0088 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    829 GW9FW 0081 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    444 GW9FW 1407 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    448 GW9FW 1415 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    442 GW9FW 1405 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    440 GW9FW 1397 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    437 GW9FW 1379 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    432 GW9FW 1371 ps.jpg
  • Charles Plimmer died in 1930 and left money in his will to the Wellington City Council to plant trees and shrubs to beautify the bays, beaches, Town Belt and reserves around Wellington. Several major beautification projects have been funded by the Plimmer Trust including Oriental Bay Beach and Otari Wilton's Bush.<br />
<br />
The Town Belt, through which most of this walkway passes, was a concept developed in England in the early 19th century as a means of combating overcrowding and poor living conditions in England's industrial cities by improving the health and well-being of citizens. The Town Belt was shown on the first plan of Wellington drawn in 1840, labelled as 'land...reserved for the enjoyment of the public and not to be built upon'.
    431 GW9FW 1370 ps.jpg
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